Photography, Photographers, A-Z, Weston, Edward

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Edward Weston, Nancy Newhall
Edward Weston's Book of Nudes
by Getty Publications (Hardcover)

In 1953 the writer and curator Nancy Newhall assembled, with the cooperation of the photographer Edward Weston, a mock-up for an elegant book featuring Weston's photographs of the nude. It was the only book on this subject that Weston himself participated in creating. The sample book intersperses landscapes and still lifes with nude studies and includes an essay written by Newhall on the artist's aesthetic. The proposal was rejected in the 1950s, however, by publishers of fine art photographs, who were reluctant to address the subject. In 1985 the mock-up was acquired by the J. Paul Getty Museum with some pages and prints missing, yet it was only in 2006 that curator Brett Abbott recognized the key to reconstructing the unpublished book in its entirety. Now, in association with the Center for Creative Photography in Tucson, Arizona, the Getty has finally been able to realize Newhall and Weston's vision. The present volume has been produced with distinctions of paper and ink to ...

Amy Conger
Edward Weston: The Form of the Nude (Monographs)
by Phaidon Press (Hardcover)

Edward Weston (1886-1958) is one of the seminal figures of twentieth-century photography. An exponent of straight photography', Weston was committed to making photographs free from technical tricks and incoherent emotionalism' which were able to capture the essence of the subject. His series of self-portraits, nudes, landscapes and close-up still-lifes defined modernist photography in their formal elegance, simplicity and abstraction. The first photographer to win a Guggenheim Fellowship in 1937, Weston is among the most influential figures in the history of photography.

Edward Weston: The Flame of Recognition (Aperture Monograph)
by Aperture (Paperback) (Release Date: 2005-06-15)

In the years since Edward Weston passed away in Carmel, California, he remains in memory as a man of great spirit, integrity, and power. To me he was a profound artist and friend in the deepest sense of the word. Living, as I do now, within a mile of his last home, sensing the same scents of the sea and the pine forests, the grayness of the same fogs, the glory of the same triumphal storms, and the ageless presence of the Point Lobos stone, I find it very difficult to realize he is no longer with us in actuality.Edward understood thoughts and concepts which dwell on simple mystical levels. His work--direct and honest as it is--leaped from a deep intuition and belief in forces beyond the apparent and the factual. He accepted these forces as completely real and part of the total world of man and nature, only a small portion of which most of us experience directly. As with any great artist or imaginative scientist, the concept is immediate and clear, but the "working out" takes ...

Brett Abbott
In Focus: Edward Weston: Photographs From the J. Paul Getty Museum (In Focus)
by Getty Publications (Paperback)

A seminal figure in the history of photography, Edward Weston (1886-1958) began his long and colorful career in Southern California. Among the more than fifty prints gleaned from the Getty Museum's important collection of approximately 240 works that span the photographer's career, this book features pictures made in Claremont, Glendale, Los Angeles, Santa Monica, and other locations in California and the U.S. Weston wed machine-age aesthetics with vernacular subjects, pursuing Modernism as a way of seeing. He produced works of art using subject matter as wide-ranging as sea shells, green peppers, sand dunes and nudes, and he set a standard for elegant composition and print technique for generations of photographers to come. Commentaries on each of the featured works, as well as an introduction and chronology, are provided by Brett Abbott, curatorial assistant in the Getty Museum's Department of Photographs. A colloquium discussion on the artist's work includes Abbott's ...

Edward Weston (TASCHEN Icons Series)
by Taschen (Paperback)

In 1902, the year Edward Weston was given his first camera, few people regarded photography as more than a craft. But along with innovators like Alfred Stieglitz and Edward Steichen, Weston revolutionized the ways photographers chose subject material and used photographic techniques to create what gradually came to be accepted as fine art. This is an elegant book, designed and printed in Germany, with an essay by Terence Pitts, of the Center for Creative Photography in Tucson, Arizona. It presents 180 of Weston's finest images, including many--such as the pines of Point Lobos, the sand dunes of Oceano, and his stark, unadorned nudes--that have become icons. Whereas the photographs of Man Ray and Moholy-Nagy were, to Weston's eyes, hopelessly mannered, his images are elemental, organic, and in harmony with nature's rhythms. Weston spent most of his working life in Mexico and California, and much of his work, replete with shadows, is illuminated with the harsh light of those ...

L. Calmes
Letters Between Edward Weston and Willard Van Dyke
by Center for Creative Photography (Paperback)

Edward Weston (Aperture Masters of Photography)
by Aperture (Hardcover) (Release Date: 2005-06-15)

A towering figure in twentieth-century photography, Edward Weston sought to awaken human vision-- to lead viewers to "see through their eyes, not with them." His restless quest for beauty and the mystical presence behind it created a body of work unrivaled in the medium.This volume of Aperture's Masters of Photography series offers Weston masterpieces drawn from photographs spanning more than four decades. Included are his early Pictorialist images; industrial studies of Armco Steel; stunning portraits from his Mexican period; the breakthrough still lifes and landscapes of the thirties; and the sometimes acerbic images of the later years.R. H. Cravens's essay draws upon Weston's writings and recollections by sons, lovers, and friends. What emerges is the profile of "a thoroughly American genius-- courageous, pure, troubled, unorthodox, and utterly sure of its purpose."The Aperture Masters of Photography series is devoted to those individuals whose achievements have accorded them ...

Beth Gates Warren
Margrethe Mather and Edward Weston: A Passionate Collaboration
(Hardcover)

An examination of the personal and professional relationship between two important American photographers. Margrethe Mather has been remembered mostly through the commentary of fellow photographer Edward Weston, who referred to her as "the first important person" in his life. In fact, Mather was probably the greatest influence on the development of Weston's early career. They first met in 1913 and soon developed a close relationship, eventually working together as full-fledged artistic partners and even co-signing the photographs they produced. Weston was also madly in love with Mather, and the two engaged in a brief affair during his first marriage. This book, which features work by both artists, chronicles their twelve-year association and sheds light on Mather, whose artistry, sexual identity, and mysterious past were overshadowed by the massive reputation of Edward Weston and his subsequent association with Tina Modotti. 94 duotone photographs.

David Travis
Edward Weston: The Last Years in Carmel
by Art Institute of Chicago (Hardcover)

This book appears in conjunction with an exhibition organized by The Art Institute of Chicago that focuses on the late work of photographer Edward Weston. Taken between1938 and 1948, these images reveal his shift from his formalist style, characterized by technological virtuosity and innovative compositions, to one that accommodated a greater psychological component. The first photographs of this period date from Weston's return to his spiritual home near Carmel, California, during his second Guggenheim fellowship. He now saw the surrounding coast with different eyes: while he had once focused on details and still lifes, he now found himself drawn to vistas, horizons, the movement of water, and moody atmospheres of elemental power. The seventy-plus photographs in this book, sumptuously printed in tritone reproductions, include--in addition to his images of nature--Weston's powerful portraits of his immediate family, as well as domestic scenes taken in and around his home. Also ...

Beaumont Newhall
The Daybooks of Edward Weston
by Aperture (Paperback) (Release Date: 2005-06-15)

For more than fifteen years Edward Weston kept a diary in which he recorded his struggle to understand himself, his society, and his art. His journal has become a classic of photographic literature. Weston was a towering figure in twentieth-century photography whose restless quest for beauty and the mystical presence behind it resulted in a body of work unrivaled in the medium. "It was as though the things of everyday experience had been transformed . . . into organic sculptures, the forms of which were both the expression and the justification of the life within...He had freed his eyes of conventional expectation, and had taught them to see the statement of intent that resides in natural form." --John Szarkowski

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